Cover image for Harry Potter and the cursed child. Parts one and two
Title:
Harry Potter and the cursed child. Parts one and two

Harry Potter and the cursed child parts one and two

Harry Potter and the cursed child parts 1 and 2

Harry Potter ;

Harry Potter series.

Harry Potter series ;
Title:
Harry Potter and the cursed child. Parts one and two
Personal Author:
Edition:
Special rehearsal edition script.
Publisher Info:
New York : Arthur A. Levine Books, an imprint of Scholastic Inc., 2016.
Physical Description:
vii, 327 pages ; 24 cm
Series:
Harry Potter ; [book 8]

Harry Potter series ; 8.
General Note:
Pagination may vary.

"The official script book of the original West End production... special rehearsal edition."

"Based on an original new story by J.K. Rowling, John Tiffany & Jack Thorne."
Abstract:
As an overworked employee of the Ministry of Magic, a husband, and a father, Harry Potter struggles with a past that refuses to stay where it belongs while his youngest son, Albus, finds the weight of the family legacy difficult to bear.

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Summary

Summary

The Eighth Story. Nineteen Years Later.

Based on an original new story by J.K. Rowling, Jack Thorne, and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage.  The play will receive its world premiere in London's West End on July 30, 2016.

It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.

While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted.  As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.


Author Notes

J. K. (Joanne Kathleen) Rowling was born in Gloucestershire, U. K. on July 31, 1965. She also writes fiction novels under the name of Robert Galbraith. Rowling attended Tutshill Primary and then went on to Wyedean Comprehensive where she was made Head Girl in her final year. She received a degree in French from Exeter University. She later took some teaching classes at Moray House Teacher Training College and a teacher-training course in Manchester, England. This extensive education created a perfect foundation to spark the Harry Potter series that Rowling is renowned for.

After college, Rowling moved to London to work for Amnesty International, where she researched human rights abuses in Francophone Africa, and worked as a bilingual secretary. In 1992, Rowling quit office work to move to Portugal and teach English as a Second Language. There she met and married her husband, a Portuguese TV journalist. But the marriage dissolved soon after the birth of their daughter. It was after her stint teaching in Portugal that Rowling began to write the premise for Harry Potter. She returned to Britain and settled in Edinburgh to be near her sister, and attempted to at least finish her book, before looking for another teaching job. Rowling was working as a French teacher when her book, Harry Potter and the Philosopher's Stone was published in June of 1997 and was an overnight sensation.

Harry Potter and the Philosopher's Stone won the British Book Awards Children's Book of the Year, was shortlisted for the Guardian Fiction Award, and received a Commended citation in the Carnegie Medal awards. She also received 8,000 pounds from the Scottish Arts Council, which contributed to the finishing touches on The Chamber of Secrets. Rowling continued on to win the Smarties Book Prize three years in a row, the only author ever to do so. At the Bologna Book Fair, Arthur Levine from Scholastic Books, bought the American rights to Harry Potter and the Philosopher's Stone for the unprecedented amount of $105,000.00. The book was retitled Harry Potter and the Sorcerer's Stone for it's American release, and proceeded to top the Best Seller's lists for children's and adult books. The American edition won Best of the Year in the School Library Journal, Publishers Weekly, Parenting Magazine and the Cooperative Children's Book Center. It was also noted as an ALA Notable Children's Book as well as Number One on the Top Ten of ALA's Best Books for Young Adults. The Harry Potter Series consists of seven books, one for each year of the main character's attendance at the Hogwarts School of Witchcraft and Wizardry. All of the books in the series have been made into successful movies. She is number 1 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list. She has also written Fantastic Beasts and Where to Find Them, Quidditch Through the Ages, and The Tales of Beedle the Bard. She won the 2016 PEN/Allen Foundation Literary Service Award. In 2016 she, along with Jack Thorne and John Tiffany, published the script of the play Harry Potter and the cursed child. It became an instant bestseller.

Rowling's first novel for an adult audience,The Casual Vacancy, was published by Little Brown in September 2012. She made The New York Times Best Seller List with her title Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination. She published two bestselling fiction novels under the name of Robert Galbraith: The Cuckoo's Calling and The Silkworm.

(Bowker Author Biography)


Reviews 3

School Library Journal Review

Playwright Thorne and director Tiffany (who previously collaborated on Hope and Let the Right One In) worked with J.K. Rowling to extend the "Harry Potter" universe with an eighth "installment" in the form of the script from the new West End production. The book starts where the last chapter of Deathly Hallows left off-19 years after the main events of the series-with Harry, Ginny, Ron, and Hermione all saying goodbye to their children as they leave for Hogwarts. As Albus, Harry and Ginny's youngest son, attends Hogwarts, he is plagued by the Potter legacy-something he never wanted-and, as he's sorted into Slytherin, is terrible at Quidditch, and constantly compared to his famous father, he becomes reclusive and angsty. His sole friend is Scorpius Malfoy, the only son of Draco Malfoy-prompting further separation from his father. When Albus hatches a plot to go back in time to save the life of Cedric Diggory-what Albus views as the biggest mistake his father made-time becomes distorted and Harry is left to examine his own life, his relationship with his son, and how love can sometimes be much more complicated than it seems. This is an interesting extension of the "Harry Potter" universe, but readers should go into it knowing that it's its own beast. Rowling didn't write it (much to the fury and vitriol of many fans), and it is in script form, so it loses some of the magic that won over millions of readers back when it all began. However, many of the themes that made the original series great are still in abundance-love and friendship conquering all, facing your flaws and accepting them-so that it simultaneously still feels like a "Harry Potter" tale while remaining its own story. VERDICT It is unlikely that the script will create new Potter followers, owing to its format (reading a script vs. reading a novel is a whole other ballgame), but it's a well-crafted and enjoyable read.-Tyler Hixson, School Library Journal © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Publisher's Weekly Review

It's been nine years since readers left Harry, Ron, and Hermione on Platform 9 3/4, as the characters were ushering their own children onto the Hogwarts Express. That scene, which appeared in the epilogue of Harry Potter and the Deathly Hallows, opens this new stage play, now playing to sold-out audiences in London. The script, in book form, will completely undermine the show's hashtag campaign to #KeepTheSecrets, but for Potter fans who can't see the production, this is a welcome substitution. Reading this play--more than 300 pages of dialogue and a few scant instructions for the actors--is, of course, an entirely different experience. The fact that so many of the children are named for key figures from the novels (Albus, James, Lily) and that some of the cast's 42 characters occasionally transform into others demands careful attention to who's talking. Fortunately, most of the characters are familiar, and many of the plot elements turn on memorable events from the novels--the Triwizard Tournament from Goblet of Fire chief among them. A time-turner, last seen in Prisoner of Azkaban, plays a key (if hokey) role, used as a sort of resurrection stone to return favorite characters to life. Stage directions only hint at what an extraordinary challenge it must have been to produce the many special effects that are required--some enchanting, some terrifying--and the bare-bones nature of a script doesn't adequately convey what must be a devastating moment for many in the audience near the conclusion of Part Two. Ironically, after having all the secrets spoiled, what many readers will likely want most is to see the play. Ages 8-up. (July) © Copyright PWxyz, LLC. All rights reserved.


Booklist Review

*Starred Review* The much-anticipated return of Harry Potter is here at last, in the form of a rehearsal script for the play (a finalized script will be published later), conceived by Rowling, Jack Thorne, and John Tiffany. Set 19 years after the Battle of Hogwarts, the spotlight shines on a new set of wizard friends, Albus Potter (Harry and Ginny's youngest) and Scorpius Malfoy (Draco's son). A strained relationship between Harry and Albus comes to a head at the start of the young Slytherin's (yes, Slytherin!) fourth year at Hogwarts, prompting Albus' rash decision to go back in time and tamper with events at the Triwizard Tournament over 20 years ago. With a stolen Time-Turner, he and Scorpius return to the fateful tournament, but quickly learn that even slight changes to the past have enormous consequences. Only occasionally indulgent, the story explores new character relationships and several alternate (and alarming) futures once the Time-Turner comes into play. Series fans can breathe easy knowing this play has been respectfully and lovingly wrought. Tensions thrum, spells fly, and Slytherins finally have their day in the sun but at center stage, as always in the Potterverse, is the overriding importance of love and friendship, especially in the face of danger. Really, readers need only be concerned with how to get to London to see it performed. Floo powder, perhaps? HIGH-DEMAND BACKSTORY: Have you not heard of this Potter chap?--Smith, Julia Copyright 2016 Booklist