Cover image for Macbeth
Title:
Macbeth

The Pelican Shakespeare

Pelican Shakespeare.
Title:
Macbeth
Publisher Info:
New York, New York : Penguin Books, an imprint of Penguin Random House LLC, 2016.
Physical Description:
98 pages : illustrations ; 20 cm.
Series:
The Pelican Shakespeare

Pelican Shakespeare.
Contents:
Publisher's note -- The theatrical world -- The texts of Shakespeare -- Introduction -- Note on the text -- Macbeth.
Abstract:
Shakespeare's great tragedy tells of the lord Macbeth, who plots with his wife to assume the throne of Scotland by murdering the king.
Subject Term:
Added Author:

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822.33 SHAK New or Popular Book Adult Nonfiction
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Summary

Summary

The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.

This edition of Macbeth is edited with an introduction by series editor Stephen Orgel.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.


Author Notes

William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School.

At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry.

By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true.

Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences. Many have served as the basis for operas, ballets, musical compositions, and films. While Jonson and other writers labored over their plays, Shakespeare seems to have had the ability to turn out work of exceptionally high caliber at an amazing speed. At the height of his career, he wrote an average of two plays a year as well as dozens of poems, songs, and possibly even verses for tombstones and heraldic shields, all while he continued to act in the plays performed by the Lord Chamberlain's Men. This staggering output is even more impressive when one considers its variety. Except for the English history plays, he never wrote the same kind of play twice. He seems to have had a good deal of fun in trying his hand at every kind of play.

Shakespeare wrote 154 sonnets, all published on 1609, most of which were dedicated to his patron Henry Wriothsley, The Earl of Southhampton. He also wrote 13 comedies, 13 histories, 6 tragedies, and 4 tragecomedies. He died at Stratford-upon-Avon April 23, 1616, and was buried two days later on the grounds of Holy Trinity Church in Stratford. His cause of death was unknown, but it is surmised that he knew he was dying.

(Bowker Author Biography)


Reviews 3

School Library Journal Review

Gr 7 Up-In these additions to the series, characters are introduced with full-color illustrations accompanied by a play quotation revealing the essence of each cast member. Both adaptations use excerpts from Shakespeare's words paired with black-and-white art to dramatize the action. Although the books are categorized as manga, pages are read from front to back, left to right. Caesar is set in a contemporary world filled with cell phones and motorcycles. The artist's imagery, such as the serpent in Brutus's home and the puppets in Cassius's hands, adds depth and layers of meaning to the text. Stage directions, noted in boxes at the top of panels, help readers to follow the story. While the style of artwork appears "busy" for manga, the artist's rendition of faces accurately captures each character's feelings in this emotionally charged adaptation. Macbeth is set in a postapocalyptic world, with crumbling cities, alien beings who serve as "witches," and men with Charles Atlas-like bodies. Bold, dynamic male figures reinforce the notion of mutations in both body and emotion. The setting introduces some anachronisms. Sophisticated communication devices seem at odds with armor-clad riders carrying swords and traveling on horseback. Although segments of well-known speeches are included, the abridgment seems choppy. Numerous, briefly introduced characters and abrupt scene changes make it difficult to follow the story line. However, readers familiar with the play may appreciate this futuristic adaptation.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Publisher's Weekly Review

Shakespeare's tragedy about the ill-fated thane of Cawdor is brought to life via this one-man interpretation from Alan Cumming. Motivated by his scheming wife, Macbeth lusts for and then takes power, which leads to regicide and his own undoing. Building upon his performance in the audio edition of A.J. Hartley and David Hewson's Macbeth: A Novel, Cumming executes a captivating solo performance of this classic play. With an authentic Scottish accent, Cumming ably embodies Lord Macbeth. He shifts from character to character seamlessly, capturing the tone, attitude, and emphasis of each, while providing an increasing intensity that conveys the reprehensible, irreparable nature of the title character's actions. In addition to embracing the various characters, Cumming's powerful performance even elevates the play's stage directions, which-rather than feeling like crude interruptions to the dialogue-slip in smoothly like the knife used to slay King Duncan. (July) (c) Copyright PWxyz, LLC. All rights reserved.


Library Journal Review

The Yale annotated editions of these dramatic polar opposites include loads of textual notes and scholarly introductions, plus essays by Harold Bloom, all for the price of lunch at Mickey Ds. Supersized Shakespeare on the cheap. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Dramatis Personae DUNCAN, King of Scotland MALCOLM his sons DONALBAIN MACBETH, Thane of Glamis, later of Cawdor, later King of Scotland LADY MACBETH BANQUO, a thane of Scotland FLEANCE, his son MACDUFF, Thane of Fife LADY MACDUFF SON of Macduff and Lady Macduff LENNEX ROSS MENTEITH thanes and noblemen of Scotland ANGUS CAITHNESS SIWARD, Earl of Northumberland YOUNG SIWARD, his son SEYTON, an officer attending Macbeth Another LORD ENGLISH DOCTOR SCOTTISH DOCTOR GENTLEWOMAN attending Lady Macbeth CAPTAIN serving Duncan PORTER OLD MAN Three MURDERERS of Banquo First MURDERERS at Macduff's castle MESSENGER to Lady Macbeth MESSENGER to Lady Macduff SERVENT to Macbeth SERVENT to Lady Macbeth Three WITCHES or WEIRD SISTERS HECATE Three APPARITIONS Lords, Gentlemen, Officers, Soldiers, Murderers, and Attendants SCENE: Scotland; England Location: An open place. hurlyburly tumult Grimalkin i.e., gray cat, name of the witch's familiar--a demon or evil spirit supposed to answer a witch's call and to allow him or her to perform black magic. Paddock toad; also a familiar Anon At once, right away. 1.2 Location: A camp near Forres. 0.1 Alarum trumpet call to arms 1.1 * Thunder and lightning. Enter three Witches. FIRST WITCH When shall we three meet again? In thunder, lightning, or in rain? SECOND WITCH When the hurlyburly's done, When the battle's lost and won. THIRD WITCH That will be ere the set of sun. first witch Where the place? second witch Upon the heath. third witch There to meet with Macbeth. FIRST WITCH  I come, Grimalkin! SECOND WITCH  Paddock calls. THIRD WITCH  Anon. ALL Fair is foul, and foul is fair. Hover through the fog and filthy air. Exeunt. 1.2 * Alarum within. Enter King [Duncan], Malcolm, Donalbain, Lennox, with attendants, meeting a bleeding Captain. DUNCAN What bloody man is that? He can report, As seemeth by his plight, of the revolt newest state latest news.   sergeant i.e., staff officer. (There may be no inconsistency with his rank of "captain" in the stage direction and speech prefixes in the Folio.) broil battle spent tired out choke their art render their skill in swimming useless. The merciless . . . supplied The merciless Macdonwald--worthy of the hated name of rebel, for in the cause of rebellion an ever-increasing number of villainous persons and unnatural qualities swarm about him like vermin--is joined by light-armed Irish footsoldiers and ax-armed horsemen from the western islands of Scotland (the Hebrides and perhaps Ireland) And Fortune . . . whore i.e., Fortune, proverbially a false strumpet, smiles at first on Macdonwald's damned rebellion but deserts him in his hour of need. well . . . name well he deserves a name that is synonymous with "brave" minion darling. (Macbeth is Valor's darling, not Fortune's.) the slave i.e., Macdonwald Which . . . to him i.e., Macbeth paused for no ceremonious greeting or farewell to Macdonwald. nave navel.   chops jaws cousin kinsman As . . . swells Just as terrible storms at sea arise out of the east, from the place where the sun first shows itself in the seeming comfort of the dawn, even thus did a new military threat come on the heels of the seeming good news of Macdonwald's execution. skipping (1) lightly armed, quick at maneuvering (2) skittish surveying vantage seeing an opportunity The newest state. MALCOLM This is the sergeant Who like a good and hardy soldier fought 'Gainst my captivity.--Hail, brave friend! Say to the King the knowledge of the broil As thou didst leave it. CAPTAIN Doubtful it stood, As two spent swimmers that do cling together And choke their art. The merciless Macdonwald-- Worthy to be a rebel, for to that The multiplying villainies of nature Do swarm upon him--from the Western Isles Of kerns and gallowglasses is supplied; And Fortune, on his damned quarrel smiling, Showed like a rebel's whore. But all's too weak; For brave Macbeth--well he deserves that name-- Disdaining Fortune, with his brandished steel, Which smoked with bloody execution, Like valor's minion carved out his passage Till he faced the slave, Which ne'er shook hands nor bade farewell to him Till he unseamed him from the nave to th' chops, And fixed his head upon our battlements. DUNCAN Oh, valiant cousin, worthy gentleman! CAPTAIN As whence the sun 'gins his reflection Shipwrecking storms and direful thunders break, So from that spring whence comfort seemed to come Discomfort swells. Mark, King of Scotland, mark. No sooner justice had, with valor armed, Compelled these skipping kerns to trust their heels But the Norweyan lord, surveying vantage, With furbished arms and new supplies of men, Began a fresh assault. Yes . . . eagles Yes, about as much as sparrows terrify eagles. (Said ironically.) say sooth tell the truth cracks charges of explosive Except Unless memorize make memorable or famous.   Golgotha "place of a skull," where Christ was crucified. (Mark 15:22.) Thane Scottish title of honor, roughly equivalent to "Earl" seems to seems about to flout mock, insult fan . . . cold fan cold fear into our troops. Norway The King of Norway.   terrible numbers terrifying numbers of troops dismal ominous Till . . . proof i.e., until Macbeth, clad in well-tested armor. (Bellona was the Roman goddess of war.) him i.e., the King of Norway.   self-comparisons i.e., matching counterthrusts DUNCAN Dismayed not this our captains, Macbeth and Banquo? CAPTAIN Yes, as sparrows eagles, or the hare the lion. If I say sooth, I must report they were As cannons overcharged with double cracks, So they doubly redoubled strokes upon the foe. Except they meant to bathe in reeking wounds Or memorize another Golgotha, I cannot tell. But I am faint. My gashes cry for help. DUNCAN So well thy words become thee as thy wounds; They smack of honor both.--Go get him surgeons. [Exit Captain, attended.] Enter Ross and Angus. Who comes here? MALCOLM The worthy Thane of Ross. LENNEX  What a haste looks through his eyes! So should he look that seems to speak things strange.  ROSS  God save the King! DUNCAN  Whence cam'st thou, worthy thane? ROSS  From Fife, great King, Where the Norweyan banners flout the sky And fan our people cold. Norway himself, with terrible numbers, Assisted by that most disloyal traitor, The Thane of Cawdor, began a dismal conflict, Till that Bellona's bridegroom, lapped in proof, Confronted him with self-comparisons, Point against point, rebellious arm 'gainst arm, Curbing his lavish spirit; and to conclude, The victory fell on us. Norways' Norwegians'.   composition agreement, treaty of peace Saint Colme's Inch Inchcolm, the Isle of St. Columba in the Firth of Forth dollars Spanish or Dutch coins Our (The royal "we.")   bosom close and intimate.   present immediate Location: A heath near Forres. Aroint thee Begone.   rump-fed runnion fat-rumped baggage Tiger (A ship's name.) like . . . do (Suggestive of the witches' deformity and sexual insatiability. Witches were thought to seduce men sexually. Do means [1] act [2] perform sexually.) DUNCAN Great happiness! ROSS  That now Sweno, the Norways' king, craves composition; Nor would we deign him burial of his men Till he disbursed at Saint Colme's Inch Ten thousand dollars to our general use. DUNCAN No more that Thane of Cawdor shall deceive Our bosom interest. Go pronounce his present death, And with his former title greet Macbeth. ROSS  I'll see it done. DUNCAN What he hath lost noble Macbeth hath won. Exeunt. 1.3 * Thunder. Enter the three Witches. FIRST WITCH  Where hast thou been, sister? SECOND WITCH  Killing swine. THIRD WITCH  Sister, where thou? FIRST WITCH A sailor's wife had chestnuts in her lap, And munched, and munched, and munched. "Give me," quoth I. "Aroint thee, witch!" the rump-fed runnion cries. Her husband's to Aleppo gone, master o'th' Tiger; But in a sieve I'll thither sail, And like a rat without a tail I'll do, I'll do, and I'll do. SECOND WITCH I'll give thee a wind. FIRST WITCH Thou'rt kind. I . . . card I can summon all other winds, wherever they blow and from whatever quarter in the shipman's compass card. I'll . . . hay (With a suggestion of sexually draining the seaman's semen.) penthouse lid i.e., eyelid (which projects out over the eye like a penthouse or slope-roofed structure). forbid accursed. sev'nnights weeks peak grow peaked or thin Weird Sisters women connected with fate or destiny; also women having a mysterious or unearthly, uncanny appearance Posters of swift travelers over THIRD WITCH And I another. FIRST WITCH I myself have all the other, And the very ports they blow, All the quarters that they know I'th' shipman's card. I'll drain him dry as hay. Sleep shall neither night nor day Hang upon his penthouse lid. He shall live a man forbid. Weary sev'nnights nine times nine Shall he dwindle, peak, and pine. Though his bark cannot be lost, Yet it shall be tempest-tossed. Look what I have. SECOND WITCH  Show me, show me. FIRST WITCH Here I have a pilot's thumb, Wrecked as homeward he did come. Drum within. THIRD WITCH A drum, a drum! Macbeth doth come. all [dancing in a circle] The Weird Sisters, hand in hand, Posters of the sea and land, Thus do go about, about, Thrice to thine, and thrice to mine, And thrice again, to make up nine. Peace! The charm's wound up. Enter Macbeth and Banquo. macbeth So foul and fair a day I have not seen. is't called is it said to be choppy chapped fantastical creatures of fantasy or imagination show appear. grace honor rapt withal entranced. beg . . . hate beg your favors nor fear your hate. BANQUO How far is't called to Forres?--What are these, So withered and so wild in their attire, That look not like th'inhabitants o'th'earth And yet are on't?--Live you? Or are you aught That man may question? You seem to understand me By each at once her choppy finger laying Upon her skinny lips. You should be women, And yet your beards forbid me to interpret That you are so. MACBETH Speak, if you can. What are you? FIRST WITCH All hail, Macbeth! Hail to thee, Thane of Glamis! SECOND WITCH All hail, Macbeth! Hail to thee, Thane of Cawdor! THIRD WITCH All hail, Macbeth, that shalt be king hereafter! BANQUO Good sir, why do you start and seem to fear Things that do sound so fair?--I'th' name of truth, Are ye fantastical or that indeed Which outwardly ye show? My noble partner You greet with present grace and great prediction Of noble having and of royal hope, That he seems rapt withal. To me you speak not. If you can look into the seeds of time And say which grain will grow and which will not, Speak then to me, who neither beg nor fear Your favors nor your hate. FIRST WITCH  Hail! SECOND WITCH  Hail! THIRD WITCH  Hail! FIRST WITCH Lesser than Macbeth, and greater. happy fortunate get beget imperfect cryptic Sinel's (Sinel was Macbeth's father.) Say . . . intelligence Say from what source you have this disturbing information blasted blighted corporal corporeal on of.   insane root root causing insanity; variously identified SECOND WITCH Not so happy, yet much happier. THIRD WITCH Thou shalt get kings, though thou be none. So all hail, Macbeth and Banquo! FIRST WITCH Banquo and Macbeth, all hail! MACBETH Stay, you imperfect speakers, tell me more! By Sinel's death I know I am Thane of Glamis, But how of Cawdor? The Thane of Cawdor lives A prosperous gentleman; and to be king Stands not within the prospect of belief, No more than to be Cawdor. Say from whence You owe this strange intelligence, or why Upon this blasted heath you stop our way With such prophetic greeting? Speak, I charge you. Witches vanish. BANQUO The earth hath bubbles, as the water has, And these are of them. Whither are they vanished? MACBETH Into the air; and what seemed corporal melted, 81 As breath into the wind. Would they had stayed! BANQUO Were such things here as we do speak about? Or have we eaten on the insane root 84 That takes the reason prisoner? MACBETH Your children shall be kings. banquo You shall be king. MACBETH And Thane of Cawdor too. Went it not so? and when . . . his and when he reads of your extraordinary valor in fighting the rebels, he concludes that your wondrous deeds outdo any praise he could offer. stout haughty, determined, valiant Nothing not at all As . . . with post As fast as could be told, i.e., counted, came messenger after messenger. (Unless the text should be amended to "As thick as hail.") earnest token payment addition title Who He who combined confederate line the rebel reinforce Macdonwald BANQUO To th' selfsame tune and words.--Who's here? Enter Ross and Angus. ROSS The King hath happily received, Macbeth, The news of thy success; and when he reads Thy personal venture in the rebels' fight, His wonders and his praises do contend Which should be thine or his. Silenced with that, In viewing o'er the rest o'th' selfsame day He finds thee in the stout Norweyan ranks, Nothing afeard of what thyself didst make, Strange images of death. As thick as tale Came post with post, and every one did bear Thy praises in his kingdom's great defense, And poured them down before him. ANGUS We are sent To give thee from our royal master thanks, Only to herald thee into his sight, Not pay thee. ROSS And, for an earnest of a greater honor, He bade me, from him, call thee Thane of Cawdor; In which addition, hail, most worthy thane, For it is thine. BANQUO What, can the devil speak true? MACBETH The Thane of Cawdor lives. Why do you dress me In borrowed robes? ANGUS Who was the thane lives yet, But under heavy judgment bears that life Which he deserves to lose. Whether he was combined With those of Norway, or did line the rebel With hidden help and vantage, or that with both in . . . wrack to bring about his country's ruin capital deserving death The greatest is behind either (1) Two of the three prophecies (and thus the greatest number of them) have already been fulfilled, or (2) The greatest one, the kingship, is still to come. home all the way In deepest consequence in the profoundly important sequel. Cousins i.e., Fellow lords swelling act stately drama soliciting tempting unfix my hair make my hair stand on end use custom.   fears things feared whose . . . fantastical in which the conception of murder is merely imaginary at this point single . . . man weak human condition function normal power of action.   surmise speculation, imaginings And . . . not and everything seems unreal. Excerpted from Macbeth by William Shakespeare All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.